It has been my opportunity to see three performances of Handel’s Hallelujah Chorus in the past two weeks, and to experience it as a performer on one occasion. It is my favorite Christmas music, and possibly my favorite in general. It is always touching to me when we rise to our feet as the first notes of the Chorus ring out. I did not however know why, when our how this tradition began. So, I finally I finally looked it up.
It is said to have begun with the first London performance of the Messiah, attended by King George the II. The reason he rose to his feet has been lost in the two centuries that have since passed. It is however believed the likely reasons are A- he was standing in tribute to the composer, or B- the Hallelujah Chorus clearly places Christ as the King of Kings and in standing, King George accepted that he too was subject to the Lord of Lords. Standing was a sign of respect to royalty. In standing, it was also then required that all who were in the audience with King George II also stand. The tradition has been with us ever since.
I have often wondered if choir directors choose to conclude performances with the Hallelujah Chorus because it truly is the grand finale of all Christmas music, or if it is also a way of ensuring a perfect standing ovation. Whatever the reason, I am always pleased to find the majestic masterpiece on the program of any choir performance.
